This article in the New York Times is over a year old now. With the Occupy Wall Street and related movements, though, it takes on a currency, in re-reading, that it might not have carried, among the general public, last year. If you were to respond to A.O. Scott's questions (i.e. "which side are you on?") what movies might you reference from 2011? And how might you add to Scott's assessment of economic class as represented within historical Hollywood cinema?
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